Claim to Fame
Peshawar, NWFP, Pakistan
Profile Bio Text
Dilip Kumar is considered to be one of the greatest actors of Indian cinema. Starting his career in 1944, he has starred in some of the biggest commercially successful films from the late 1940s, 1950s, 1960s and 1980s. His performances have been regarded as the epitome of emoting in Indian Cinema. He was the first actor to receive a Filmfare Best Actor Award and holds the record for most number of Filmfare Awards won for that category. Though he has done all kinds of films - he balanced a wide variety of roles such as the intense Andaz (1949) with the swashbuckling Aan (1952), the dramatic Devdas (1955) with the comical Azaad (1955) and the historical romance Mughal E Azam (1960) with the social Ganga Jamuna (1961). In the 1970s roles dried up for Kumar and after 1976 he left films for a five year break. In 1981 he returned with a character role in the blockbuster film Kranti and continued his career playing central character roles in hits such as Shakti (1982), Karma (1986) and Saudagar (1991). He has retired from the Indian Film Industry in 1998.
He was born Muhammad Yusuf Khan in Qissa Khawani Bazaar in Peshawar Pakistan in a Pashtun family of twelve children. His father Ghulam Sarwar was a fruit merchant and owned large orchards in Peshawar and Devlali in Maharashtra near Mumbai. The family relocated to Mumbai in 1930s and in the early 1940s Yusuf Khan moved to Pune and started off with his canteen business and supplying dry fruits. There he was spotted by a leading actress of those years Devika Rani who was also the wife of the founder of Bombay Talkies Himanshu Rai and helped his entry into the Bollywood film industry. She also gave him the screen name of Dilip Kumar.
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Full Name at Birth
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Dilip Kumar (born 11 December 1922, as Muhammad Yusuf Khan) is an Indian film actor known as Tragedy King, and described as "the ultimate method actor" by Satyajit Ray. He debuted as an actor in the film Jwar Bhata in 1944 produced by Bombay Talkies. His career has spanned over six decades and with over 60 films. He starred in films of a variety of genres such as the romantic Andaz (1949), the swashbuckling Aan (1952), the dramatic Devdas (1955), the comical Azaad (1955), the historical Mughal-e-Azam (1960) and the social Ganga Jamuna (1961).
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