A horrific car accident connects three stories, each involving characters dealing with loss, regret, and life's harsh realities, all in the name of love.
Run Time
154 min, Turkey:115 min (TV version)
Aspect Ratio
1.85 : 1
Rating Details
Rated R for violence/gore, language and sexuality.
Genre
Drama, Thriller
Language
Spanish
Keyword
Dog, Car Accident, Dogfight, Mexico, Money
Movie Rating
Sound Mix
Dolby Digital
Colour
Color
Film Type
Feature
Film Class
Ensemble Film, Urban Drama
Themes
Man's Best Friend, Crime Gone Awry, Redemption, Unrequited Love, Haunted By the Past, Hired Killers, Love Triangles, Sibling Relationships
Amores perros is a 2000 neorealist Mexican film, directed by Alejandro González Iñárritu. Amores Perros is the first movie in Iñárritu's trilogy of death, and was followed by 21 Grams and Babel. It is a triptych; an anthology film, sometimes referred to as the "Mexican Pulp Fiction," containing three distinct stories which are connected by a car accident in Mexico City. Each of the three tales is also a reflection on the cruelty of humans toward animals and each other, showing how they may live dark or even hideous lives. Amores Perros was nominated for the Academy Award for Best Foreign Language Film in 2000 and won the Ariel Award for Best Picture from the Mexican Academy of Film. The film Amores Perros gives a clear representation of the division between classes in Mexican society, as we are shown characters from under, working and middle classes. It also shows how authority such as the police are corrupt in Mexico as one of the characters is shown to be friends with such characters as El Chivo who is a hit man in order to help a jealous half-brother. But the film's theme is loyalty, as symbolized by the dog, "man's best friend". Dogs are important to the main characters in each of the three stories, and in each story various forms of human loyalty or disloyalty are shown; disloyalty to a brother by trying to seduce the brother's girl-friend, disloyalty to a wife by keeping a mistress with subsequent disloyalty to the mistress when she is injured and loses her beauty, loss of loyalty to youthful idealism and rediscovered loyalty to a daughter as a hit-man falls from and then attempts to regain grace.
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